badlybent.ca

Never apologize for your Art

Archive for the ‘Music’ Category

The Websites, They Are A-Changin’

Sep-3-2010 By steviez

 

Badly Bent Records

 

Apologies to Bob Dylan for the title of this post….

Well, dear readers of this blog, the time has come for a little change….okay a HUGE change.  I’m going to be moving this blog to another page, and this page is (FINALLY!) going to become home for my record label, Badly Bent Records.  Yes, I’ve (FINALLY!) launched it, and big things are already afoot.  Sometime by Monday or Tuesday of next week the site will be flipped over to the record label site, and the blog will be moved.

Looking forward to writing more consistently again as well.  I’ll probably split this blog up into a regular blog from my own personal standpoint, as well as a blog about the music industry and the happenings in my tiny portion of it.

Take care, and we’ll see you on the other side…

Stevie Z

The 2010 RPM Challenge: Fin

Mar-12-2010 By steviez

  rpm.jpg

Well, it’s done.  The 2010 RPM Challenge is over,  and you know what ?

I did it.

Yup, yours truly, the Procrastibator himself actually finished it.   And it feels awesome!   You know what else feels awesome?  Yes, that too, but I’m talking in the context of the Challenge here.  Two other people whom I know and consider friends and fantastic songwriters also finished.  Don Sawchuk and Robbie Hancock, whom I had told about the challenge and had entered on their own did it too.  Maybe that’s what helped push me towards completion when the going was rough - knowing that 2 other guys I knew and respected were doing it, and most likely going to complete it, and there was no way that I, the guy that brought up the whole thing in the first place, wasn’t going to make it as well.

In case you don’t feel like following the above link, here is the Challenge in a nutshell:

A) Record an album - 35 minutes - of material in the time period of Feb. 1 to Feb. 28.  For the hardcore out there, it’s also preferable if you wrote the album in Feb. as well.

B) Send it in to RPM headquarters in New Hampshire.  Must be postmarked no later then noon on March 1.

C) Raise arms in victory.

D) Catch up on sleep, and detox.

And I did it.  I still can’t believe I did, but I did.  I know, holy shit, eh ?  It was close, very close.  I was doing the final mix of the final song at 11:55 on Feb. 28, and coincidentally I dropped it off at the post office at exactly 11:55 AM the next day.  I had to literally speed walk to the post office to do it, but it got done.

I almost once again fell victim to what i call the “Procrasti-Monster”.   Oh, it started off great: January 25th I got one of those write-on/wipe-off calendars and planned the month out completely.  I even had most of the songs already written.  I know that it’s preferable to write everything in Feb. as well, but hey, it was my first Challenge, and I didn’t want to try to accomplish too much in case I accomplished nothing.

As I was saying, the entire month was planned out, I contacted some visual artists I really respect to put some album art together, and as of Feb. 1 I was ready to roll.  In fact, just to make a point I started laying drum tracks down at 12:01 am on Feb 1.

My first track was a spoken word piece, inspired by a poem that The Scarborough Dude wrote and read on his podcast.  In fact, it was so inspiring that I decided to scrap Plan A entirely, and go with a newly-improvised Plan B.  It would be a…CONCEPT ALBUM! Yes - inspired by Scarborough Dude and the Olympics I decided to have a theme of Canada…with a couple of songs about cats just to round things out.  That would be awesome!  I was a musical GENIUS!  I began planning the new album immediately…..

….then something happened: I got a writer’s block.  Here I was with the greatest idea for a concept album since Pink Floyd’s The Wall (okay, not really, but at the time it seemed like it) and I couldn’t get things to flow the way I wanted them to.

Some people know how to deal with writer’s block.  I’ve tried dozens of methods over the year, and I’ll let ya’ll in on a few of them someday, but this time, maybe because I had an actual physical deadline nothing was working.  So I did the most logical thing….

…I froze.  Up.  completely.  I neither wrote nor recorded anything for almost 2 straight weeks.  I watched a little Olympic coverage, some American Idol (yes, I was that desperate) and puttered around the house.

With a little less then 2 weeks to go, a plan started to emerge from the fog.  It was an idea for another concept album, one that would free me from the constraints of having to do picture-perfect recordings, would allow me to write it in February after all, and one that I could actually pull off!

I’ll get into more detail about the album in my next post, but suffice it to say that I’ve got a lot of people to thank for getting done what I needed done, whether it be collaborative work, ideas, voices, etc.   I’ll mention them here, but I go into greater detail in the liner notes, and will also go into more detail on my post regarding the album itself. In no special order, I’d like to thank The Luverly Michelle(tm), Mark and Natalie Shantz, The Scarborough Dude, Paul, Tanja and Mackenzie McCallum, Dr. Ignatio Castillo, Robbie Hancock, Don Sawchuk,  and Mike the guitar tech from Sherwood Music.  If it wasn’t for the above people, well, the album might have got done, but it wouldn’t have been nearly as cool as it turned out.

Perhaps most of all, however, I’d like to thank the people behind the RPM Challenge.  What they do over there is pure brilliance.   As they like to say “it doesn’t have to be the album, it just has to be an album”.  While I’m not sure anyone who participated in the Challenge thinks that their Challenge album is the best thing they’ve ever produced, it’s a good way to force people to write and record.  As Robbie said at one point it got him “motivated to record some songs that should have been recorded years ago”.  Amen brother.  The Challenge got me thinking, writing and recording.  It’s a known fact that the more you do something, the better you get at it.  The RPM Challenge got me to write an album that would never have existed otherwise.  I guess the reason that I dig the Challenge so much is because it also does what I tried to get people to do with the Monthly Sieve Song Challenge.  Anytime somebody creates a song that never existed before, the world is a better place.  Unless it’s Nickelback, but face it, they’ve been creating the same song over and over for years anyways.

To celebrate the victory that Robbie, Don and I had just achieved, I invited them over to my place on March 1 for a “Listening Party” so we could hear what each other had done, and open the bottle of champagne that I had purchased for the occasion.  Listening to what Don and Robbie did reminded me again that they are both great songwriters, and it was a pleasure to be able to hear new stuff from both of them.   As I expected, after hearing what both of them had done, mine was a complete left-turn.

Speaking of how my album turned out, I have to say that although I’m thrilled to death with it, I’m also not totally happy with the final product.  See, when you have a deadline that’s zooming at you like a runaway Toyota you tend to have to say “that’s good enough” a lot .  There are a lot of mistakes on the album, a lot of production tweaks that need to be made, little touch ups here and there to be done, and to be totally honest two more tracks to be recorded that I didn’t have the time to do.

So, I’m going to spend the next couple of months lovingly tuning and honing each track until it’s as polished as it needs to be for me to be happy with it, and then maybe I’ll throw it up on iTunes and put out the CD for sale.  Who knows?

This Challenge has given me lots of ideas, most of which are still sitting there, waiting to be snatched up and placed with care into their own cradles of song, and I’ve learned a lot more about the recording, editing and mixing process.   And, it’s given me something I never had before: and actual ALBUM.

As a matter of fact, it’s given lots of people albums, and even more then that, it’s helped midwife into existence a ton of music that never even existed before February 1, 2010.

And that can only be a good thing.

Peace, Love, and Guiness,

Stevie Z

The RPM Challenge

Jan-19-2010 By steviez

rpm.jpg

OR - “I must be outta my %&#@ mind”

Someone who either thinks I’m more talented then I am, or really really hates me turned me on to something called “The RPM Challenge“.

The RPM Challenge is something to inspire musicians to record, in a similar way that NaNoWriMo (National Novel Writing Month) in November challenges authors to, well, auth.   NaNoWriMo Challenges writers to write 1,700 words per day for the entire month of November.  It’s an exercise to get people writing.  The good people at the RPM Challenge, and also the ones at fawm.org (February Album Writing Month) have taken this idea and given it a musical spin.  They are challenging songwriters to record 1 Album (10 songs, or approx. 35 minutes of recorded material) during the month of February.

That’s right - less then 3 days per song to get it all down and finished.  And then, when you’re all done, send a copy of the CD to RPM Headquarters and they’ll put stuff up on the net…and other stuff.  I’m not really sure everything that happens, but I know that I really want to give this a kick.  I’ve already gotten 8 songs written that I’ve wanted to record for a while now, and this is the perfect reason.  That still leaves 2 to write though, and I think it would be extra cool to actually write 2 during the month of February as well.

For all the gory details go to rpmchallenge.com and check it out.  There are message boards for people that need collaborations, inspiration, help, etc.  so you’re not alone in this.  They also aren’t nearly as concerned about recording quality as they are just you getting yourself down on “tape”.  And of course, the bastards just had to pick the shortest month of the year, didn’t they?  Oh well, I guess most people are locked inside their warm cozy houses at that time of the year, and starting to go a litle Stir Crazy anyways.  At least those of us in northern climes anyways.  I live in Canada and the only winter activities I take part in are A) Freezing my nuts off, and B) Drinking more Vodka to try to prevent (A).

If any of you follow my blog or podcast (remember my podcast?) then you know that I’m a huge fan of trying to get songwriters writing.  My Sieve Song Challenge aimed at doing the same thing, but at the rate of 1 song per month.   That reminds me - in the next couple weeks look for a new podcast aimed at songwriting specifically.  It will recap the Songwriting Challenge as well as reintroduce it, better and stronger then it was before.  Yay.  I’m actually really excited about that.  I’m also all fired up about the RPM Challenge.  As I get songs done I’ll put em up here for you to check out as well.

If any of you are songwriters as well, I’d encourage you to check out the RPM Challenge and sign up, and if you do, drop me a line and let me know, I’d love to hear about it.  I’d also be more then happy to showcase some of the talent right here and on my podcast as well.

I’m also going to introduce a new Song Challenge of my own for February because I figure if you all are going to be recording and/or writing anyways you might as well kill a couple of buzzards with one rock.  Also, it never hurts to have a little more inspiration when you’re writing tunes.

In fact, if you sign up for the RPM Challenge and let me know, I’ll email you 2 song ideas every day (if you want) from the time you let me know you’re going to do it, until the end of February.  Wow, way to give myself more work to do.  Meh, it’s all part of wanting to help people write songs…..

So let me know if you’re going to do the Challenge, and if you are, good luck.  And oh yeah, if you need a hand with some co-writing, or guitar stuff, or something, drop me a line as well.  Always happy to help, as long as you promise to thank me in your liner notes in your Grammy Winning album…..

Take Care and Happy Writing!

Stevie Z

Create or Consume?

Dec-10-2009 By steviez

ipod-guitar.jpg 

By Stevie Z

    Well, it’s that time of the year again: time for either myself or The Luverly Michelle™ to purchase something for ourselves.  Every year at Christmas we are ‘allowed’ to buy something worth more money then we would usually spend.  I don’t mean ‘allowed’ by each other, but more along the lines of it taking most of the year to save up the cash to purchase something that costs a little extra dough.  Each Christmas we buy each other a few smaller things, and then we alternate each year on whom gets the bonus ‘goodie’.

     Just to clarify - we’re not talking thousands of dollars here, last year I got an M-Audio MIDI controller keyboard, this year Michelle is getting a sewing machine.  These things generally amount to only a few hundred bucks.

      Since this year is Michelle’s year to get ‘The Big One’, it’s my year to get smaller stuff.  I’m always easy to buy for as far as the category of gifts go - something music-related.  See? Easy.  Where it gets agonizing is trying to decide which subcategory I’m leaning towards.  I look at it as 2 choices.

     Creation Vs. Consumption.

     Since I’m also a songwriter, and am aspiring to be a producer/engineer to some degree as well, I’m always looking at acquiring the stuff I need to achieve my goal of creating great songs, whether writing and playing my own, or helping someone else with theirs.

   While I know some people have a bad case of G.A.S. (Gear Acquisition Syndrome) wherein they’re always pining after (and buying!) the latest, greatest guitar/mic/software/effects, etc, I have a very concrete idea of what I want to achieve, and know what I need to get it.   I’ve never been a fan of newest/shiniest anyways, not when older/used/less expensive gets the job done. 

     At the other end of the equation sits Consumption.  By this I mean the act of listening to music that others have created, such as the latest Corb Lund album.   My MP3 player is an older Sansa SanDisk 8GB, and it’s starting to show it’s age.  When you think that I use it for an average of 4-5 hours per day for listening to podcasts and music in a not-so-healthy-for-electronics environment, I believe it’s held up amazingly well, and was a very good buy.  The only problems are, as I say, it’s getting older, and starting to act a little eccentric now and again, and also, for some reason nobody (including Sansa or Apple apparently) understands, my Mac won’t acknowledge the fact that it exists when I plug it in.  This means that I have to download music and podcasts to a memory stick, then use a windows (ick) based machine to transfer it to my MP3 Player.

     I know, I know.  I keep thinking it too: “Good lord you lazy bastard, 10 years ago the technology for this kind of portable music player wasn’t even within your grasp, and now you’re bitching because it takes you an extra 5 minutes to be able to perform the miracle of being able to hear whatever music you want, whenever you want!”  Yeah, it is kind of nit-picky.  And also, I feel really guilty whenever I think “man, I wish this thing was bigger then 8GB so I could have more music on it.”  I mean, seriously?  My first computer had, I believe, a 256k hard drive!  8GB is a lot of tunes.  I don’t really need an iPod….I mean, they’re neato, and shiny, and do lots of neat stuff, and if I spend enough on one (an iPod Touch, for example has music creation apps available for it) then I can kind of  bridge the gap between creation and consumption.  But we’re talking $400 plus, and I can’t really justify that, not even to myself, never mind Michelle.  Actually, Michelle is a lot more easy-going about that kind of thing. 

   So to help me decide, I asked myself the following question:

    Do I want the ability to be able to listen to Peter Judd’s songs wherever and whenever I want to, which I can already do, but make it slightly easier, or do I want the ability to help amazing songwriters like a Peter Judd or a Robbie Hancock get their songs out so other people can hear them?

     Feedback from other people who share this dilemma is welcome…..

    Stevie Z

Musician: Own Thyself!

May-20-2009 By steviez

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By Stevie Z

    I was speaking to a couple of artists last night, and as per the usual pleasantries and conversations we exchanged contact info with a look at doing some future projects together.  They both gave me MySpace info.  (Insert frustrated sigh here).

    It seems that most musicians and artists I meet are either completely oblivious to the importance of an online presence, know that ‘yeah, I knowI should do some online stuff at some point’, or just kinda dabble in ‘the usual’ IE MySpace, FaceBook, more recently Twitter, etc.

     I think that what most people miss is the fact that all the above-mentioned sites are great for connecting and promotion as well, but when you get right down to it, you control nothingwhen it comes to your image if your presence ends there.  MyBook and FaceSpace et al are all companies that could disappear tomorrow.  And if they did, so does your online world.  There have been cases where a band had a MySpace page, and MySpace decided for some reason that it violated their Terms of Service, and POOF, page is gone.  Any of those companies could shut you down for any reason they feel like, not to mention the company could just shut everything down without notice.  I know a lot of people who started building an online presence with mp3.com back in the day.  That went sideways and a lot of people were left with nothing online.

   Another thing to remember is this - all these free social media sites make money because they bring information to advertisers and other companies.  Why should you bring your fanbase to them?  Why give Facebook all your best:  songs, blog posts, photos, etc.  Same goes for YouTube.  Sure, you can post your stuff to YouTube, but then own your own domain where you can link to the video (thereby saving yourself the bandwidth) but have control over the context the videos live in.

   Also - comments.  A lot of these sites require people to be signed in to their service in order to comment on, or in some cases, sadly enough, even see your content.  What if I don’t want to be a member of Facebook - oops, can’t read your post unless I am….guess I’ll just move along….

   If you wrote it/took a photo of it/composed it/whatever, then you should own where and how it’s offered to the world.

    Bob Goyetche, podcasting and social media guru-type-guy once gave me some very sage advice over a beer at a conference called Podcasters Across Borders (check it out, it’s an amazing conference that takes place in Kingston, Ontario Canada every year in June).   I had asked him about this very type of thing - about the social media sites that everyone seems to flock to.  One of the best pieces of advice that Bob gave me was to get my own domain (hence the badlybent.ca website) because no matter what happens, as long as I pay for it, I’ll own it.  I can move it from provider to provider, from host to host, and that site, and any emails I attach TO it, will always be mine.

    So if you’re a band, or an artist, or have something to promote at all, one of the best possible things you can do for yourself or your career is to get yourself a domain.  Even www.yourname.com for example, is a great start, and then you can build from there.  That’s another great piece of advice that Bob gave me - have yourself as the ‘brand’ and then have all your projects branch out from there. 

    That’s all pretty damn good advice, and I think I should probably buy Bob a beer for it.  Of course, you can buy Bob a beer too, if you like.  I’m sure he (and his liver) would appreciate it…..

Stevie Z

   If you want some more info about getting your own domain, or host suggestions, please don’t hesitate to drop me a line at badlybentpub@yahoo.ca

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By Stevie Z

    Fans of my podcast, The Sieve! (okay, FAN of my podcast) may have noticed that I haven’t put out any shows for quite some time now.

    I actually DID manage to get a show recorded in between computer crashes,  file corruptions, etc. and it has remained, on my external hard drive,  1/2 edited for about 2 months now.  In it, I go into some (but not too much, I hope) detail about my life for the past six months, the prepping and listing of our house and subsequent fun, fun, fun.  I can’t remember if I go into much detail about the recording/computer woes I’ve been dealing with, but they have been substantial.

    I’ve been trying desperately to put together a little ’studio’ worth of recording equipment since I was 14 years old.  Nothing amazingly fantastic, you understand, just enough to be able to get down on tape (originally) or now on MP3, the thoughts and ideas I have careening around in my skull.  Since that time I’ve tried to put together both the equipment and the space to do such.  And since I was 14, I’ve failed.  Oh, I’ve gotten closer and closer, and I’m getting there, but I’m still not there.  The only real thing standing in my way right now, is a stable, decent recording platform (IE computer)

   I’ve got the software, I’ve got the instruments, mics, etc.  I’m just missing one small, but critical, piece of the puzzle.  Okay, I could use some extra ‘talent’ too, but there’s not much I can do about that……

    Since I spend my days making money as a Lubricant Distribution Technician, the whole “recording thing” (music and podcasting) falls distinctly into the ‘hobby’ field.  I looked up the definition of the word ‘hobby’ and among other things, dictionary.com defines a ‘hobby’ as “an activity or interest pursued for pleasure or relaxation”.

    Since, every time I try to record/edit/tweak anything, I end up swearing and cursing (and now recently: kicking) my computer, I would have to say that it has moved well beyond the realm of hobby, and into ‘albatross’.

    So what?

    Well, I believe that I’m on the brink of finally putting that last piece into place.  If all goes according to plan (it won’t but at least there IS a plan) then I should have an Apple Mac to record with within the next few weeks, or within the next month.  And then, look forward to my next podcast piece wherein I take my Windows Vista POS PC into the backyard and turn it into tiny pieces of nothing with my sledgehammer.  Then maybe I’ll drop the pieces off in front of the door of the Microsoft HQ in Toronto.  Hmm, I smell a video podcast……

    Anyhoo, thanks for being patient, everyone.  Or at least, those of you who have been patient.   Those of you who have lost patience and moved on, well, then I guess you won’t be reading this, but I apologize to you was well anyways.  I also apologize to my liver, who has also borne the brunt of my aggravation……

    Stevie Z

 PS - Yes, I understand that, in the grand scheme of the world, not having a good computer is pretty trite and unimportant.  I have a home, I have a job, I have food and clothing, and am whining about something that is considered by most a luxury.

Janis Joplin Vs. Simon Cowell

Mar-12-2009 By steviez

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By Stevie Z

I was hurtling down the 401 Highway this afternoon listening to my MP3 player.  Janis Joplin came on doing one of her best tunes: Mercedes Benz

It occurred to me that she wouldn’t have had a chance in hell to make it in the world today, in mainstream music.  Not even close.  She wasn’t blonde, she didn’t really dance, and didn’t have large breasts.  If someone like her (and I mean someone like her, not one of the cheap imitations running rampant today) showed up at an American Idol audition, she’d be driven off the set by Simon Cowell and his band of mule holes in seconds.

First, they’d mock her appearance.

Then, as soon as she spoke and they heard her voice, they make assinine comments about that too.

Finally, as soon as she started to belt out a tune (take the aforementioned Mercedes Benz for example) and poured her heart, soul and guts into it, she would have been met with derision.   None of what they do is about music or artistry, it’s all about making money, which is why it’s evil and needs to be kicked in the lovelies.

I’m using Ms. Joplin as an example, but seriously…..how many of the artists that we consider ground breaking and truly distinctive could even get a foot in the door in today’s “American/Canadian/Insert Country Here Idol” climate?  Bob Dylan? Bruce Spingsteen?  Willie Nelson?  John Hiatt?

The music ‘industry’ is dying day by day, and they can’t figure out why.  One of the myriad problems is that they’re not looking for the next talent to come along and change music, they’re looking for the next in a line of things we already have.  They’re looking for the next Britney Spears, or the next BackStreet Boys, or the next Justin Timberlake, or Pussycat Dolls.

And here’s the problem with that, jerkasses:

The demographic of the people that you’re trying to peddle this crap to is the same demographic that has no problem downloading music for free.   Par example - I buy every John Hiatt, Mark Knopfler, Bruce Springsteen, Fred Eaglesmith album that comes out.  BuyThe CD.  I want a copy to put on my shelf.  Heck, I’d buy the albums and hang em on my wall if that were an option.  Let’s say by some miracle or fluke that Britney Spears ever did release a song that I enjoyed.  Would I buy it?  Most likely I’d just download it.  Or, I’d buy that one song on iTunes.  Of course, it’s a moo point because if Spears ever actually did perform something that I liked to listen too, I’d check the rearveiew mirror for locusts and horsemen because it would surely be one of the signs of the End Times, and pestilence sure probably wouldn’t be far behind.   I think that I maybe have purchased more CD’s in the last 6 months, come to think of it, then I have in the last couple of years.  Of course, several of those were from ‘indie’ artists who didn’t even have stuff in wide distribution.  Maybe that says everything about the music industry and where they still insist in heading.  Maybe it only says more about me.

All I know is, if Janis Joplin played in Kitchener this weekend, I’d buy her CD at the venue.   And get her to sign it.  And ask for a little kiss.   Come to think of it, I’d buy two copies of her Cd.  One for me, and one to show Mr. Cowell what an artist is.  He obviously has no idea.  And I’d probably ask for another kiss.  From Janis, not Simon…..

Stevie Z

Disposable Music

Jan-21-2009 By steviez

Disposable Tissue

By Stevie Z

I was cleaning up my hard drive the other day, and realized that I had several GBs of music on it.  All, of course, gained through legal and proper means.  I needed the space, however, so for the past week or so I’ve been going through the collection, literally song by song, and deleting those that I didn’t think I needed to hang on to.

Then I got to thinking:

If I want to hear the new album by, say John Hiatt, I just have to fire up Bit Torrent, and in a few minutes, poof, there it is.  It’s too easy.  There’s a truism out there that it’s hard to really appreciate anything you didn’t work for, at least a little.  This can be seen, for example, in the lifestyles of a lot of either the children of very wealthy parents, who were given anything and everything,  to a lot of people that I’ve seen on Welfare and/or Unemployment Insurance.  If it’s handed to you scott free, then there’s almost no way you can appreciate it as much as if you’ve really worked for something.   Of course there are exceptions to the rule - when I was 15 a neighbour gave me my 1967ish Fender Telecaster guitar, for free.  I love and appreciate that more then you could ever imagine.   The general rule, however, stands. And this will especially hold true for my home studio, when it finally comes together, because I have been waiting, and trying desperately to piece one together, for 23 years.

In order to bring this back around to my point, I’ll switch to another musical artist, Bela Fleck, banjo player extraordinaire.  I remember when I was about 20 or so driving in my car and listening to CBC radio (Canada’s Public Radio) and hearing a jazz instrumental which featured predominately a banjo and a harmonica.   It was one of those moments where I actually had to pull over and listen, pretty much staring at the car radio.  I was floored.  And transfixed.  At the end of the song, the announcer gave the artist, the track title and the name of the album.    I immediately started driving around town, trying to find a music store that had the CD.

Being as this was Thunder Bay, and being as it was a jazz banjo playing band, I couldn’t find it.  No one in town had it.  Not even the place to go at the time for odd and import stuff - St. James Stereo.  They could, however, order it for me, it would take about a week.  So, I paid the $29 and waited.  It was literally driving me nuts - I needed to hear that album.  I talked about it to everyone I knew, I thought about it a lot, and after 5 days started calling the poor folks at St. James Stereo every day.  It finally arrived on a Saturday, and I drove straight there.  I bought a portable CD player (the ones that were like the Sony Walkmans….I believe they were called Sony Discmans) and the Car Accessory Pack.  I wanted to just drive around and listen.  Or maybe grab a burger and park at the Friendship Gardens and listen.  I just wanted to hear it right now!

That CD changed the way I listen to music, to a small degree, but that’s not really the point here.  I treasured that CD.  I still do to this day.  When The Luverly Michelle and I move to our new place, I’m finally going to have my own room to turn into my music studio.  On the walls I’m going to hang, framed, 10-15 or so CD covers from the jewel boxes of CDs that have affected me over the years.  That one’s going up for sure.

One of the reasons I treasure it so much, I believe, is because of the incredible amount of work and patience it took to get it.  I drove ALL over town, to about 5-8 music stores.  I had to order it, I had to wait.  I honestly think that if I had just heard the song, gone online, downloaded it and listened to it, it wouldn’t have meant as much to me.

The other reason I think that music has become so disposable is because now people can have so much of it at once.  I love Warren Zevon, for example.  If I wanted to, I could go to BitTorrent, and within a day or so most likely download his entire catalog.  Then, I’d zip through the songs, giving each one a listen once, deciding my favourites, and maybe even deleting the ones that didn’t immediately grab me.  Tell me if this has happened to you:  You  purchased an album and started listening to it, and as track after track went by thought “don’t like that one much, that one’s kinda cool, that one sucks” etc.  Then, after owning the album for a while, sometimes days, weeks, occasionally even years , you start to find the tracks that maybe were ‘just okay’ are now becoming your favourite tracks ON the album.  Now, if you’d downloaded them, you might have deleted them without much thought.

I used to work with a guy who would download a pantload of music, burn it to a CD, listen to it for a couple of weeks, and then just toss the CD out.  Forget the environmental aspect of it, but I think it’s just sad to treat music that way.  Even CDs that I’ve purchased and turned out over the years I didn’t really like, I’ve always given to charity so that they could be resold and maybe end up in the hands of someone who will appreciate them.  Same thing with books.  I don’t think I’ve ever thrown a book away either.

So whether you download music or not, do yourself a favour - spend a few days listening to the tracks you’ve just downloaded, even the ones you don’t think you like - you might discover some great songs that you would have otherwise deleted.

Stevie Z

by Stevie Z

Okay boys and girls (and non-gender specified creatures of the world - I’m looking at you Ru Paul!) The time has come to spew forth the specifics for the first Monthly Sieve! Song Challenge…

I was undecided for what to do for this first challenge - I was going to make it something really challenging that only the strong would survive…and then the Luverly Michelle smacked me on the back of the head and told me to smarten up. So I did, to a point. I decided to make things fairly easy and universal for the premiere addition.

So here are the 3 Criteria for the August 2008 Sieve! Song Challenge:

  1. GENRE - Country
  2. TOPIC - Summer
  3. WORD/PHRASE - Bridge

Details:

Country - It can be New Country (Garth Brooks - Sample 1 (with the Mystery 3rd Verse, and Sample 2) or Ye Olde Country (Hank - Williams OR Snow)

Topic - Since in the part of Canad that I live we haven’t had summer yet, only a prolonged period of melted snow (I.E. rain) falling since April, I want summer in some way, shape or form…if it has to come to me in song, so be it.

Word/Phrase - “Bridge”. It can be metaphysical, metaphorical, literal or otherwise. You can cross it, burn it, or build it on the river Kwai. It’s up to you.

Well, there it is. You have no idea how much I’m looking forward to everyone’s contributions. You can double check the guidelines here. One thing I did forget to mention on that post was Parodies. I’d rather you didn’t just yet…you see, I’m going to do a Parody challenge at some point in the future. Speaking of future challenges (if this goes well and there are some) I am starting to do a little bit of ‘work’ with a local comedy improv troop, and I hope to get some future ideas about topics and words/phrases from them…now that will be interesting.

So, get strumming/plucking/whacking/blowing/hitting/banging/whatever you do, because the deadline for submissions is Sunday, August 31, at 12:00 am Eastern Standard Time. They can be emailed to badlybentpub@yahoo.ca. Heck, I’m going to try to throw something together myself, and we’ll see what happens.

Good night, and Good Luck!

Stevie Z

By Stevie Z

Partly inspired by Jonathon Coluton, partly by Bob Goyetche and partly by Robbie Hancock, I’ve been mulling this idea over for a couple of weeks now. I’ve also looked for something like this in the past, and I couldn’t find it.

What I would like to do is have a monthly “challenge” - not a contest because it’s not about the best, it’s about the songs. I’m going to also talk about this on my next episode of The Sieve! which is (believe it or not) coming out this weekend.

Every month I’m going to present a topic, a genre, and a specific word or line, and it will be up to the presenters to submit a song that follows those rules. I’m trying to make it fairly specific because it is, after all, an exercise in songwriting, and the more challenging it is, the more, um, challenging it is…..wow, does that line sound stupid to you too ??

Another reason that I’m doing this is because I find personally that I need that ’spark’ to get a song going. I can’t just sit down with some idea that I’ve come up with and bang one out - I need a couple of ideas to string together before it flows. I’m hoping that some songwriters out there will come up with some good stuff, and I’m also hoping that people will send them in. I might put a poll up so we can have a “people’s choice” or something like that, but I might not, what do you think? I can tell you now though, there won’t be prizes, save the satisfaction of a job well done, and a tune well liked.

Here are the rules I’m thinking of settling with:

  1. The Challenge is open to anyone, anywhere in the world (or universe), professional or amateur. Individual musician or band.
  2. Any instrument (or none at all) can be used…this includes spoons, saws, plate glass windows, vacuum cleaners, etc. Submissions can be A Capella, but it still has to be a song, not a read poem…..that challenge will come later….
  3. I would prefer it if the song was written specifically for the Challenge, which is the whole point, and the reason for making it fairly specific each month.
  4. All submitted songs remain the property of their authors, but must be licensed under a Creative Commons License allowing non-commercial use (IE Podsafe, IE they must be allowed to legally play on non-commercial podcasts without licensing fees being paid. For more info go to Creative Commons Canada.
  5. Submitters have 30 days from the date the challenge is issued to send their songs in.
  6. The songs must be in the genre specified, plus be about the topic specified, and contain the word or line…um….specified.
  7. Parodies - I’d like to avoid parodies unless the catagory specifically calls for it (and don’t worry, it will at some point).
  8. Recording quality is not as important as the song - if you can record a decent enough version using your kid’s Fisher Price tape recorder sitting on your kitchen table, great. Bear in mind, however, that the quality should at least be good enough so that people can understand the lyrics, and it isn’t painful to listen to.
  9. A sampling of songs will be played on episodes of The Sieve! as well as other podcasts.
  10. All credit, links, info, etc. will be given to the song’s authors.
  11. Your mileage may vary.
  12. This is not a ‘contest’ in that there are no prizes. This is merely a challenge to get the creative juices flowing, and create some entertaining listening for people, and to get your name and songs out to the world.

That’s all I can think of right now, please feel free to email me at badlybentpub@yahoo.ca if you have any other ideas or suggestions. Being as this is August 1st, I’m going to issue the first Challenge this weekend on The Sieve! which you can find here. I’ll also post the Challenge on this blog as well.

Good luck, and happy writing!

Stevie Z